![Installation view of Strangeness, Tone, Translucency at McClain Gallery, Houston, Texas](https://img.artlogic.net/w_2020,h_1160,c_limit/exhibit-e/5617d80a6aa72ce8395f8329/964f9d6f95b3f8d659675e8a51cdb958.jpeg)
Installation view of Strangeness, Tone, Translucency at McClain Gallery, Houston, Texas
![Carl Hazlewood BlackHead Anansi Her Slow Dance, 2022 polyester, cut Hahnemuhle paper, vinyl tape, push pins, map pins, oil pastel, acrylic, metallic cord, pigment ink 51 x 34 inches](https://img.artlogic.net/w_1010,h_580,c_limit/exhibit-e/5617d80a6aa72ce8395f8329/3263fd57e861070087a4051a40c2d54c.jpeg)
Carl Hazlewood
BlackHead Anansi Her Slow Dance, 2022
polyester, cut Hahnemuhle paper, vinyl tape, push pins, map pins, oil pastel, acrylic, metallic cord, pigment ink
paper: 51 x 34 inches
frame: 56 1/8 x 39 9/16 x 3 3/16 inches
![Installation view of Strangeness, Tone, Translucency at McClain Gallery, Houston, Texas](https://img.artlogic.net/w_2020,h_1160,c_limit/exhibit-e/5617d80a6aa72ce8395f8329/dcb5c63b11bda2675089fd1d8c72f402.jpeg)
Installation view of Strangeness, Tone, Translucency at McClain Gallery, Houston, Texas
![Dorothy Hood Untitled 1181, 1982-1997 collage on mat 32 x 20 inches](https://img.artlogic.net/w_2020,h_1160,c_limit/exhibit-e/5617d80a6aa72ce8395f8329/0a9aa68e3a5576f625d64a24b5d905c1.jpeg)
Dorothy Hood
Untitled 1181, 1982 – 1997
collage on mat
paper: 32 x 20 inches
frame: 35 15/16 x 24 1/8 x 1 inches
![Nathaniel Donnett Pioneerprotectology, 2024 fabric, reclaimed backpack, ink, paper 18 x 18 inches](https://img.artlogic.net/w_1010,h_580,c_limit/exhibit-e/5617d80a6aa72ce8395f8329/438c0a57dc3c14440d81556257c03a7f.jpeg)
Nathaniel Donnett
Pioneerprotectology, 2024
fabric, reclaimed backpack, ink, paper
sheet: 18 x 18 inches
frame: 20 7/16 x 20 7/16 x 2 3/8 inches
![Installation view of Strangeness, Tone, Translucency at McClain Gallery, Houston, Texas](https://img.artlogic.net/w_2020,h_1160,c_limit/exhibit-e/5617d80a6aa72ce8395f8329/37301af04d3d7a53d80d90a38bcd2f98.jpeg)
Installation view of Strangeness, Tone, Translucency at McClain Gallery, Houston, Texas
![Nathaniel Donnett Extraction, 2024 reclaimed backpacks, ink, duct tape 18 x 18 inches](https://img.artlogic.net/w_1010,h_580,c_limit/exhibit-e/5617d80a6aa72ce8395f8329/7eedda7d9bf18cc6045578f909eb31ee.jpeg)
Nathaniel Donnett
Extraction, 2024
reclaimed backpacks, ink, duct tape
sheet: 18 x 18 inches
frame: 20 7/16 x 20 7/16 x 2 3/8 inches
Private Collection
![Salle Werner Vaughn Metamorphosis of a Rose, 2012 faux marble painted box, dung balls, sea shell, nail from a crucifix](https://img.artlogic.net/w_2020,h_1160,c_limit/exhibit-e/5617d80a6aa72ce8395f8329/cd9a312078467a0ca89a03e283bd0052.jpeg)
Salle Werner Vaughn
Metamorphosis of a Rose, 2012
faux marble painted box, dung balls, sea shell, nail from a crucifix
8 1/2 x 6 x 1 11/16 inches
![Installation view of Strangeness, Tone, Translucency at McClain Gallery, Houston, Texas](https://img.artlogic.net/w_2020,h_1160,c_limit/exhibit-e/5617d80a6aa72ce8395f8329/66710854063f1ae5edf4fc04acc6c295.jpeg)
Installation view of Strangeness, Tone, Translucency at McClain Gallery, Houston, Texas
![Dorothy Hood Untitled, 1980s oil and collage on canvas 40 x 30 x 3/4 inches](https://img.artlogic.net/w_1010,h_580,c_limit/exhibit-e/5617d80a6aa72ce8395f8329/28e7b652660135a6599d5eee92f5a485.jpeg)
Dorothy Hood
Untitled, 1980s
oil and collage on canvas
40 x 30 x 3/4 inches
![Installation view of Strangeness, Tone, Translucency at McClain Gallery, Houston, Texas](https://img.artlogic.net/w_2020,h_1160,c_limit/exhibit-e/5617d80a6aa72ce8395f8329/9549405560ab5a1f6d7a80b2bc404f64.jpeg)
Installation view of Strangeness, Tone, Translucency at McClain Gallery, Houston, Texas
![Nari Ward Bird, 1993 - 2014 ink, wooden dominos, polymer, graphite, pigment and steel cut tacks on wood panel 21 x 15 inches](https://img.artlogic.net/w_1010,h_580,c_limit/exhibit-e/5617d80a6aa72ce8395f8329/11c17fbef67ee86de4a61e72a18de143.jpeg)
Nari Ward
Bird, 1993 - 2014
ink, wooden dominos, polymer, graphite, pigment and steel cut tacks on wood panel
21 x 15 inches
![Carl Hazlewood BlackHead Laughter, 2016 Archival cut papers, graphite, pastel, mesh and faux pearls 20 x 16 inches](https://img.artlogic.net/w_1010,h_580,c_limit/exhibit-e/5617d80a6aa72ce8395f8329/b5cdf7a6de79576b7f0ab83537c641c5.jpeg)
Carl Hazlewood
BlackHead Laughter, 2016
Archival cut papers, graphite, pastel, mesh
and faux pearls
paper: 20 x 16 inches
frame: 18 7/16 x 13 11/16 x 2 1/4 inches
![Dorothy Hood Doors, 1982-1997 collage on mat 19 7/8 x 15 7/8 inches](https://img.artlogic.net/w_2020,h_1160,c_limit/exhibit-e/5617d80a6aa72ce8395f8329/6865d435715decab51ecd3236cbe6aa7.jpeg)
Dorothy Hood
Doors, 1982 – 1997
collage on mat
paper: 19 7/8 x 15 7/8 inches
frame: 24 1/8 x 20 3/16 x 1 inches
![Louise Nevelson Untitled, 1975 cardboard and wood collage on board object: 30 x 20 inches frame: 32 3/8 x 22 7/16 inches](https://img.artlogic.net/w_2020,h_1160,c_limit/exhibit-e/5617d80a6aa72ce8395f8329/79b07470af5f2f09b19694f7f64bd313.jpeg)
Louise Nevelson
Untitled, 1975
cardboard and wood collage on board
object: 30 x 20 inches
frame: 32 3/8 x 22 7/16 inches
![Salle Werner Vaughn A Touch of Daphne, 2020 shou sugi ban, palm bark, golden leaf](https://img.artlogic.net/w_1010,h_580,c_limit/exhibit-e/5617d80a6aa72ce8395f8329/51bc958b267d1782d7eb1d5285adf46f.jpeg)
Salle Werner Vaughn
A Touch of Daphne, 2020
shou sugi ban, palm bark, golden leaf
14 1/8 x 5 7/8 x 2 1/8 inches
![Installation view of Strangeness, Tone, Translucency at McClain Gallery, Houston, Texas](https://img.artlogic.net/w_2020,h_1160,c_limit/exhibit-e/5617d80a6aa72ce8395f8329/5bee406186092779ba1f2accb9e72f63.jpeg)
Installation view of Strangeness, Tone, Translucency at McClain Gallery, Houston, Texas
![Radcliffe Bailey Notes from Tervuren, 2015 initialed and dated on lower right corner gouache, collage, and ink on sheet music paper: 12 x 9 inches frame: 21 1/4 x 18 1/2 x 1 1/2 inches](https://img.artlogic.net/w_2020,h_1160,c_limit/exhibit-e/5617d80a6aa72ce8395f8329/cf2c691196ab6e6a15bc49d3cd621204.jpeg)
Radcliffe Bailey
Notes from Tervuren, 2015
initialed and dated on lower right corner
gouache, collage, and ink on sheet music
paper: 12 x 9 inches
frame: 21 1/4 x 18 1/2 x 1 1/2 inches
![Jodi Hays Brother Jones, 2024 dyed cardboard, found textile, and vinyl collage on aluminum Dibond (ACM) on wood stretcher 24 x 18 inches](https://img.artlogic.net/w_2020,h_1160,c_limit/exhibit-e/5617d80a6aa72ce8395f8329/ad39710ff7189b539ffc232bd5e20c09.jpeg)
Jodi Hays
Brother Jones, 2024
dyed cardboard, found textile, and vinyl collage on aluminum Dibond (ACM) on wood stretcher
24 x 18 inches
![Installation view of Strangeness, Tone, Translucency at McClain Gallery, Houston, Texas](https://img.artlogic.net/w_2020,h_1160,c_limit/exhibit-e/5617d80a6aa72ce8395f8329/fa7f90e33a43577b8944f8d4dd390624.jpeg)
Installation view of Strangeness, Tone, Translucency at McClain Gallery, Houston, Texas
![Robert Motherwell The Red and Black No. 3, 1987 - 1988 oil-based etching ink, pasted papers, and aquatint on paper 31 1/2 x 25 inches](https://img.artlogic.net/w_1010,h_580,c_limit/exhibit-e/5617d80a6aa72ce8395f8329/ecdbf35dc7fa739ae7dbd55611b2a1fc.jpeg)
Robert Motherwell
The Red and Black No. 3, 1987 – 1988
oil-based etching ink, pasted papers, and aquatint on paper
paper: 31 1/2 x 25 inches
frame: 34 5/8 x 28 1/8 x 1 5/8 inches
![Delita Martin Garden by Moonlight, 2024 signed recto, lower right relief printing, charcoal, acrylic, printed papers, hand stitching 60 x 40 inches](https://img.artlogic.net/w_1010,h_580,c_limit/exhibit-e/5617d80a6aa72ce8395f8329/78a80849057b9a1153c9aa816b7c99c9.jpeg)
Delita Martin
Garden by Moonlight, 2024
signed recto, lower right
relief printing, charcoal, acrylic, printed papers, hand stitching
paper: 60 x 40 inches
frame: 65 11/16 x 45 3/16 x 2 1/4 inches
![Installation view of Strangeness, Tone, Translucency at McClain Gallery, Houston, Texas](https://img.artlogic.net/w_2020,h_1160,c_limit/exhibit-e/5617d80a6aa72ce8395f8329/251dde773402117abd470098b6cc5c1c.jpeg)
Installation view of Strangeness, Tone, Translucency at McClain Gallery, Houston, Texas
![Jodi Hays Remaindered, 2024 dyed cardboard collage on aluminum Dibond (ACM) on wood panel 24 x 18 inches](https://img.artlogic.net/w_2020,h_1160,c_limit/exhibit-e/5617d80a6aa72ce8395f8329/1c6c7ca4cb4c6e26220615a30367cb85.jpeg)
Jodi Hays
Remaindered, 2024
dyed cardboard collage on aluminum Dibond (ACM) on wood panel
24 x 18 inches
![Salle Werner Vaughn Medusa, 2012 hand mirror painted in oil mounted on rock](https://img.artlogic.net/w_2020,h_1160,c_limit/exhibit-e/5617d80a6aa72ce8395f8329/d2ac54410e71fb8d94960e11cfed5b11.jpeg)
Salle Werner Vaughn
Medusa, 2012
hand mirror painted in oil mounted on rock
13 1/8 x 6 5/8 x 2 1/2 inches