Artists Exhibitions Viewing Rooms Prints & Editions News Advisory Gallery Contact

Artists Exhibitions Viewing Rooms Prints & Editions News Advisory Gallery Contact

STRANGENESS, TONE, TRANSLUCENCY

RADCLIFFE BAILEY, NATHANIEL DONNETT, JODI HAYS, CARL E. HAZLEWOOD, DOROTHY HOOD, DELITA MARTIN, ROBERT MOTHERWELL, LOUISE NEVELSON, ROBERT RAUSCHENBERG, SALLE WERNER VAUGHN, NARI WARD

April 20 – June 22, 2024

Images Press Release Artists Back Previous Next

Selected Works Thumbnails

Installation view of Strangeness, Tone, Translucency at McClain Gallery, Houston, Texas

Carl Hazlewood BlackHead Anansi Her Slow Dance, 2022 polyester, cut Hahnemuhle paper, vinyl tape, push pins, map pins, oil pastel, acrylic, metallic cord, pigment ink 51 x 34 inches

Installation view of Strangeness, Tone, Translucency at McClain Gallery, Houston, Texas

Dorothy Hood Untitled 1181, 1982-1997 collage on mat 32 x 20 inches

Nathaniel Donnett Pioneerprotectology, 2024 fabric, reclaimed backpack, ink, paper 18 x 18 inches

Installation view of Strangeness, Tone, Translucency at McClain Gallery, Houston, Texas

Nathaniel Donnett Extraction, 2024 reclaimed backpacks, ink, duct tape 18 x 18 inches

Salle Werner Vaughn Metamorphosis of a Rose, 2012 faux marble painted box, dung balls, sea shell, nail from a crucifix

Installation view of Strangeness, Tone, Translucency at McClain Gallery, Houston, Texas

Dorothy Hood Untitled, 1980s oil and collage on canvas 40 x 30 x 3/4 inches

Installation view of Strangeness, Tone, Translucency at McClain Gallery, Houston, Texas

Nari Ward Bird, 1993 - 2014 ink, wooden dominos, polymer, graphite, pigment and steel cut tacks on wood panel 21 x 15 inches

Carl Hazlewood BlackHead Laughter, 2016 Archival cut papers, graphite, pastel, mesh and faux pearls 20 x 16 inches

Dorothy Hood Doors, 1982-1997 collage on mat 19 7/8 x 15 7/8 inches

Louise Nevelson Untitled, 1975 cardboard and wood collage on board object: 30 x 20 inches frame: 32 3/8 x 22 7/16 inches

Salle Werner Vaughn A Touch of Daphne, 2020 shou sugi ban, palm bark, golden leaf

Installation view of Strangeness, Tone, Translucency at McClain Gallery, Houston, Texas

Radcliffe Bailey Notes from Tervuren, 2015 initialed and dated on lower right corner gouache, collage, and ink on sheet music paper: 12 x 9 inches frame: 21 1/4 x 18 1/2 x 1 1/2 inches

Jodi Hays Brother Jones, 2024 dyed cardboard, found textile, and vinyl collage on aluminum Dibond (ACM) on wood stretcher 24 x 18 inches

Installation view of Strangeness, Tone, Translucency at McClain Gallery, Houston, Texas

Robert Motherwell The Red and Black No. 3, 1987 - 1988 oil-based etching ink, pasted papers, and aquatint on paper 31 1/2 x 25 inches

Delita Martin Garden by Moonlight, 2024 signed recto, lower right relief printing, charcoal, acrylic, printed papers, hand stitching 60 x 40 inches

Installation view of Strangeness, Tone, Translucency at McClain Gallery, Houston, Texas

Jodi Hays Remaindered, 2024 dyed cardboard collage on aluminum Dibond (ACM) on wood panel 24 x 18 inches

Salle Werner Vaughn Medusa, 2012 hand mirror painted in oil mounted on rock

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